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Williamson was born in New Bern, North Carolina, the younger son of Lillie Faye (née Pittman), a storyteller, and Ottis Wade Williamson, a fisherman. He lived in the neighboring coastal community of Oriental, but before he started school his family moved to Aransas Pass, Texas, later relocating to Fulton, Texas, both near Corpus Christi. Williamson's family returned to Oriental before Kevin's high school years. Obsessed from a young age with movies—especially those of Steven Spielberg – he applied to New York University's film school and was accepted but because he could not afford the tuition, he attended a school closer to home, East Carolina University in Greenville, North Carolina, where he took a B.A. in theater arts.
Inspired by the March 9, 1994 episode of the newsmagazine Turning Point on Danny Rolling, a serial killer in Gainesville, Florida who preyed on college students, Williamson wrote a horror movie script, originally titled "Scary Movie". Its characters had seen many classic horror movies (e.g. A Nightmare on Elm Street, Halloween) and knew all the clichés. Miramax bought it for their new Dimension Films label in the spring of 1995. Directed by Wes Craven, the film was renamed Scream, and released in The United States on December 20, 1996. It became a commercial blockbuster and critical success—ultimately drawing $173 million in ticket sales worldwide.
Miramax later released Scream 2, also written by Williamson, It, too, was a hit and paved the way for Scream 3, the third installment of the Scream trilogy.

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Williamson was the writer and producer for Scream 4, which began shooting in June 2010 and was released in theaters on April 15, 2011.

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Paul Stupin, an executive at Columbia Tri-Star Television, read Scream after the bidding war for the script and was convinced Williamson was just the man to create a television series for his company. The result was Dawson's Creek, a semi-autobiographical tale set in a small coastal community not unlike Oriental. Williamson was the model for the title character, Dawson Leery, a hopeless romantic who is obsessed with movies—especially those of Steven Spielberg. Joey Potter, the platonic girl-next-door, was based on a real life friend of Williamson's when he was young.
In December 1995, the show was pitched to the Fox Network, where Stupin had been an executive, but it was rejected. Then in 1996, Stupin and Williamson went to, and struck a deal with, The WB. Williamson said, "I pitched it as Some Kind of Wonderful, meets Pump Up the Volume, meets James at 15, meets My So-Called Life, meets Little House on the Prairie." Dawson's Creek premiered on The WB on January 20, 1998, and was an immediate hit with its intended audience.

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Despite the show's success (and telling Entertainment Weekly that "[I] ain't never leaving 'Dawson's Creek'."), Williamson left the show at the end of its second season to create a show for Miramax to air on ABC. The result, Wasteland, about twentysomethings in New York City, was savaged by critics. The Hollywood Reporter said it was about "the most attractively vacuous, self-indulgent, and pretentious group ever assembled in prime-time." It aired only three episodes in October 1999 before being canceled by ABC. Williamson's next film, I Know What You Did Last Summer, was also about young adults in peril. Based on a 1973 novel by Lois Duncan, it centered around four friends accidentally running over a man, dumping the body, and going on with their lives, only to be punished one year later. Columbia Studios advertised the film as "from the makers of Scream" against Miramax's wishes, who later sued the company.

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After a long career as an academic, serving as a professor of theology at various German universities—most recently at the University of Regensburg—he was appointed Archbishop of Munich and Freising and cardinal by Pope Paul VI in 1977. In 1981, he settled in Rome when he became Prefect of the Congregation for the Doctrine of the Faith, one of the most important offices of the Roman Curia. From 2002 until his election as Pope, he was also Dean of the College of Cardinals, and as such the primus inter pares among the cardinals. Prior to becoming Pope, he was "a major figure on the Vatican stage for a quarter of a century" as "one of the most respected, influential and controversial members of the College of Cardinals"; he had an influence "second to none when it came to setting church priorities and directions" as one of Pope John Paul II's closest confidants.
Benedict XVI was elected Pope at the age of 78. He is the oldest person to have been elected Pope since Pope Clement XII (1730–40). He had served longer as a cardinal than any Pope since Benedict XIII (1724–30). He is the ninth German Pope, the eighth having been the Dutch-German Pope Adrian VI (1522–23) from Utrecht. The last Pope named Benedict was Benedict XV, an Italian who reigned from 1914 to 1922, during World War I (1914–18).
Born in 1927 in Marktl, Bavaria, Germany, Ratzinger had a distinguished career as a university theologian before being appointed Archbishop of Munich and Freising by Pope Paul VI (1963–78). Shortly afterwards, he was made a cardinal in the consistory of 27 June 1977. He was appointed Prefect of the Congregation for the Doctrine of the Faith by Pope John Paul II in 1981 and was also assigned the honorific title of the cardinal bishop of Velletri-Segni on 5 April 1993. In 1998, he was elected sub-dean of the College of Cardinals. And on 30 November 2002, he was elected dean, taking, as is customary, the title of Cardinal bishop of the suburbicarian diocese of Ostia. He was the first Dean of the College elected Pope since Paul IV (1555–59) and the first cardinal bishop elected Pope since Pius VIII (1829–30).

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Even before becoming Pope, Ratzinger was one of the most influential men in the Roman Curia, and was a close associate of John Paul II. As Dean of the College of Cardinals, he presided over the funeral of John Paul II and over the Mass immediately preceding the 2005 conclave in which he was elected. During the service, he called on the assembled cardinals to hold fast to the doctrine of the faith. He was the public face of the church in the sede vacante period, although, technically, he ranked below the Camerlengo in administrative authority during that time. Like his predecessor, Benedict XVI affirms traditional Catholic doctrine.

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In addition to his native German, Benedict speaks French and Italian fluently. He also has a very good command of Latin and speaks English and Spanish adequately. Furthermore, he has some knowledge of Portuguese. He can read Ancient Greek and biblical Hebrew. He has stated that his first foreign language is French. He is a member of several scientific academies, such as the French Académie des sciences morales et politiques. He plays the piano and has a preference for Mozart and Bach.
Joseph Alois Ratzinger was born on 16 April, Holy Saturday, 1927, at Schulstraße 11, at 8:30 in the morning in his parents' home in Marktl, Bavaria, Germany. He was baptised the same day. He was the third and youngest child of Joseph Ratzinger, Sr., a police officer, and Maria Ratzinger (née Peintner). His mother's family was originally from South Tyrol (now in Italy). Pope Benedict XVI's brother, Georg Ratzinger, a priest and former director of the Regensburger Domspatzen choir, is still alive. His sister, Maria Ratzinger, who never married, managed Cardinal Ratzinger's household until her death in 1991. Their grand-uncle was the German politician Georg Ratzinger.

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At the age of five, Ratzinger was in a group of children who welcomed the visiting Cardinal Archbishop of Munich with flowers. Struck by the Cardinal's distinctive garb, he later announced the very same day that he wanted to be a cardinal. Following his 14th birthday in 1941, Ratzinger was conscripted into the Hitler Youth—as membership was required by law for all 14-year-old German boys after December 1939—but was an unenthusiastic member who refused to attend meetings, according to his brother. In 1941, one of Ratzinger's cousins, a 14-year-old boy with Down syndrome, was taken away by the Nazi regime and killed during the Aktion T4 campaign of Nazi eugenics. In 1943, while still in seminary, he was drafted into the German anti-aircraft corps as Luftwaffenhelfer. Ratzinger then trained in the German infantry. As the Allied front drew closer to his post in 1945, he deserted back to his family's home in Traunstein after his unit had ceased to exist, just as American troops established their headquarters in the Ratzinger household. As a German soldier, he was put in a POW camp but was released a few months later at the end of the war in the summer of 1945. He reentered the seminary, along with his brother Georg, in November of that year. Thus, following repatriation in 1945, the two brothers entered Saint Michael Seminary in Traunstein, later studying at the Ducal Georgianum (Herzogliches Georgianum) of the Ludwig-Maximilian University in Munich. They were both ordained in Freising on 29 June 1951 by Cardinal Michael von Faulhaber of Munich. Ratzinger recalled:

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Punk rock is a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom, and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed perceived excesses of mainstream 1970s rock. Punk bands created fast, hard-edged music, typically with short songs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produced recordings and distributed them through informal channels.
By the beginning of the 1980s, faster, more aggressive styles such as hardcore and Oi! had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a broad range of other variations, giving rise to post-punk and the alternative rock movement. By the turn of the century, pop punk had been adopted by the mainstream, as bands such as Green Day and The Offspring brought the genre widespread popularity.
The first wave of punk rock aimed to be aggressively modern, distancing itself from the bombast and sentimentality of early 1970s rock. According to Ramones drummer Tommy Ramone, "In its initial form, a lot of [1960s] stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll." John Holmstrom, founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." In critic Robert Christgau's description, "It was also a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." Patti Smith, in contrast, suggests in the documentary 25 Years of Punk that the hippies and the punk rockers were linked by a common anti-establishment mentality.

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Throughout punk rock history, technical accessibility and a DIY spirit have been prized. In the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very much skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band." The title of a 1980 single by the New York punk band Stimulators, "Loud Fast Rules!", inscribed a catchphrase for punk's basic musical approach.

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Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated predecessors: "No Elvis, Beatles or the Rolling Stones in 1977", declared The Clash song "1977". The previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero". Even as nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future"; in the later words of one observer, amid the unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." While "self-imposed alienation" was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass, who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do."
The issue of authenticity is important in the punk subculture—the pejorative term "poseur" is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult"; as the punk scene matured, he observes, eventually "[e]veryone got called a poseur".

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Punk rock bands often emulate the bare musical structures and arrangements of 1960s garage rock. Typical punk rock instrumentation includes one or two electric guitars, an electric bass, and a drum kit, along with vocals. Punk rock songs tend to be shorter than those of other popular genres—on the Ramones' debut album, for instance, half of the fourteen tracks are under two minutes long. Most early punk rock songs retained a traditional rock 'n' roll verse-chorus form and 4/4 time signature. However, punk rock bands in the movement's second wave and afterward have often broken from this format. In critic Steven Blush's description, "The Sex Pistols were still rock'n'roll...like the craziest version of Chuck Berry. Hardcore was a radical departure from that. It wasn't verse-chorus rock. It dispelled any notion of what songwriting is supposed to be. It's its own form." Punk rock vocals sometimes sound nasal, and lyrics are often shouted instead of sung in a conventional sense, particularly in hardcore styles. The vocal approach is characterized by a lack of variety; shifts in pitch, volume, or intonational style are relatively infrequent. Complicated guitar solos are considered self-indulgent and unnecessary, although basic guitar breaks are common. Guitar parts tend to include highly distorted power chords or barre chords, creating a characteristic sound described by Christgau as a "buzzsaw drone". Some punk rock bands take a surf rock approach with a lighter, twangier guitar tone. Others, such as Robert Quine, lead guitarist of The Voidoids, have employed a wild, "gonzo" attack, a style that stretches back through The Velvet Underground to the 1950s recordings of Ike Turner. Bass guitar lines are often uncomplicated; the quintessential approach is a relentless, repetitive "forced rhythm", although some punk rock bass players—such as Mike Watt of The Minutemen and Firehose—emphasize more technical bass lines. Bassists often use a pick due to the rapid succession of notes, which makes fingerpicking impractical. Drums typically sound heavy and dry, and often have a minimal set-up. Compared to other forms of rock, syncopation is much less the rule. Hardcore drumming tends to be especially fast. Production tends to be minimalistic, with tracks sometimes laid down on home tape recorders or simple four-track portastudios. The typical objective is to have the recording sound unmanipulated and "real", reflecting the commitment and "authenticity" of a live performance. Punk recordings thus often have a lo-fi quality, with the sound left relatively unpolished in the mastering process; recordings may contain dialogue between band members, false starts, and background noise. Punk rock lyrics are typically frank and confrontational; compared to the lyrics of other popular music genres, they frequently comment on social and political issues. Trend-setting songs such as The Clash's "Career Opportunities" and Chelsea's "Right to Work" deal with unemployment and the grim realities of urban life. Especially in early British punk, a central goal was to outrage and shock the mainstream. The Sex Pistols classics "Anarchy in the U.K." and "God Save the Queen" openly disparage the British political system and social mores. There is also a characteristic strain of anti-sentimental depictions of relationships and sex, exemplified by "Love Comes in Spurts", written by Richard Hell and recorded by him with The Voidoids. Anomie, variously expressed in the poetic terms of Hell's "Blank Generation" and the bluntness of the Ramones' "Now I Wanna Sniff Some Glue", is a common theme. Identifying punk with such topics aligns with the view expressed by V. Vale, founder of San Francisco fanzine Search and Destroy: "Punk was a total cultural revolt. It was a hardcore confrontation with the black side of history and culture, right-wing imagery, sexual taboos, a delving into it that had never been done before by any generation in such a thorough way." However, many punk rock lyrics deal in more traditional rock 'n' roll themes of courtship, heartbreak, and hanging out; the approach ranges from the deadpan, aggressive simplicity of Ramones standards such as "I Wanna Be Your Boyfriend" to the more unambiguously sincere style of many later pop punk groups.

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